I'd like to see gain reduction values next to the compression gain reduction meter.
The number values that are inside the compressor threshold are only to indicate the threshold level and not gain reduction. The meter that shows the gain reduction is pointless as it has no values to show what you are reducing I have both AI and RM mixers and at least on the board I can tell what gain reduction is happening by number value, but in UC Surface for both AI and RM there is no representation |
[email protected] wroteBeing able to have a compressor set 'post' main outputs fader would be nice, then I can finally get rid of the DBX166XL out of my rack. The compressor on the Main's Fat Channel should have the same effect as putting a compressor inline with the mixer and amps/speakers. |
seanmcdaniel wroteCouldn't you just assign a channel to a sub group, compress the subgroup and then keep both the channel and the subgroup assigned to the mains? Yes. This is exactly how I do it.
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When an RM is networked with AVB to a console, the mains return is injected directly before the output amp. This leaves the mains output meters in Surface displaying a signal (the on board mixer main) that can't ever be heard other than through the headphone socket. Also, when connecting headphones to the RM and selecting "main" with the front panel button, you get the internal mains bus (goes nowhere) and not the actual mains return from FOH. (this confused a friend of mine for quite a while...)
It would be better if the returned signal was injected at the point the headphones are connected, so anyone on stage could plug in headphones to hear exactly what is supposed to be coming out of the mains and also see it metered in Surface. Currently this is only available at the FOH console...
Karyn
------------------------------------------------------- SL32ai, RM32ai, SL328AI x2, SL18sAI x2, all Dante. Studio 192, Digimax FS, Faderport, Sonar Platinum, Studio One. http://refer.waves.com/dzDVn Dante Level2 certified. |
An option to use the front panel LEDs as an output meter for the mains.
Karyn
------------------------------------------------------- SL32ai, RM32ai, SL328AI x2, SL18sAI x2, all Dante. Studio 192, Digimax FS, Faderport, Sonar Platinum, Studio One. http://refer.waves.com/dzDVn Dante Level2 certified. |
The ability to create icons for channels is a huge issue. I would imagine for many of us.
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Dale Christenson 918.261.7263 StudioLive RM32ai StudioLive RML32ai CS18ai MOTU AVB switch ULT15 x6 ULT18 x2 SL AI328 speakers x4 StudioLive 16.4.2 classic Windows 8.1 SSD computer with UC Surface, Capture2, and StudioOne2 Producer |
markstar wroteOn the sl classic turning the ipad upright gave you a complete channel view I would like to see that returned +100
Sound 4-U! reinforcement and mobile recording serving Tulsa and surrounding areas.
Dale Christenson 918.261.7263 StudioLive RM32ai StudioLive RML32ai CS18ai MOTU AVB switch ULT15 x6 ULT18 x2 SL AI328 speakers x4 StudioLive 16.4.2 classic Windows 8.1 SSD computer with UC Surface, Capture2, and StudioOne2 Producer |
I was just using my RM for the first time in a studio type situation. Capture was a great help in simplifying a hectic environment.
Two requests: Turning digital return on and off en masse with a single button in Capture was a lifesaver. But for redoing individual tracks it would be great to have the same convenient control over individual inputs. It would be nice to have a digital return button for each channel sitting there next to the Recording Arm button, with a similar All On/All Off toggle at the top. It would also be helpful to be able to (re)record tracks to layers right in Capture, and have all the layers later load into Studio One. We don't want to start bloating Capture, but I think this would be worth doing. Thanks. |
May as well get it all off my chest. This one would be icing, but so useful.
It would be cool if somewhere associated with the Scene menus there could be a small Text Edit utility that would permit us to write a few notes and save these notes with the scene. Despite 100% save and recall, I still have to keep an offline notebook with DI types, mic's used, amps and settings, etc. Being able to save such notes with the scene would be chocolate icing. |
seanmcdaniel wroteCouldn't you just assign a channel to a sub group, compress the subgroup and then keep both the channel and the subgroup assigned to the mains? I haven't tried that, but I would think you may have to watch that there isn't a delay on the subgroup in comparison to the channel, otherwise you may have trouble with comb filtering. |
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