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I'm recording a (soft) synth solo.
I am bending the solo via the pitch wheel on my controller.
It IS audibly working.
But it is NOT recording the midi messages.

I've tried playing while in record.
I've drawn the bends in the mixer window.

The synth is getting the info and playing as such. So it's not the synth.
Studio One isn't retaining the bends.
What might I be doing wrong?

Create some type of automation "track" associated with the solo track?

Thanks.

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Intel Core i7-6700 @3.40GHz / 3.41GHz
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Toys:
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DeepMind 12 ~ ATOM sq ~ Basses and Guitars
47 za-billion $'s of soft synths, effects, and debt (the rest a highly coveted government secret) .

http://www.soundcloud.com/inverted7th

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by scottyo7 on Wed Nov 26, 2014 2:11 am
badness said:
"Create some type of automation "track" associated with the solo track?"...

You are correct in this regard. If you add the Pitch parameter* to the automation list, that'll do it.

With the Instrument sounds I've used within Presence and Alchemy, some show "Pitch Bend" and others show the sub-category "Tune" under the "Pitch" heading.

*I'll presume you know how to add automation parameters. ;)

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by badness on Wed Nov 26, 2014 2:19 am
I took my own suggestion, which you affirmed and it's fine now.

Sorry to waste your time.
Thanks for the assist and, Have a Great Holiday.

(at the start of this, I tried to consult the manual, which I couldn't locate and apparently, there's no download on the downloads page, other than the latest addendum)

* * * * * * * * * * * * * *
Intel Core i7-6700 @3.40GHz / 3.41GHz
Windows 10 64bit
16 Gigs RAM
Studio 192

STUDIO ONE 5 PRO (v. Latest)
Toys:
Roland JUNO-DS 88
Maschine Studio 2
Roli RISE ( controller of the future - future - future ) :ugeek:
Moog ONE ~ Novation Summit ~ ASM Hydrasynth ~Waldorf KYRA
Roland System8 ~ Roland SE-02 ~ Roland D-05 ~ My dog Fred :|
DeepMind 12 ~ ATOM sq ~ Basses and Guitars
47 za-billion $'s of soft synths, effects, and debt (the rest a highly coveted government secret) .

http://www.soundcloud.com/inverted7th

* * * * * * * * * * * * * *

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