I have a pair of S6's here and am still wanting more bottom if you will. Id like to take the bottom load off the S6's to allow them to work less and be clearer not having to try and hit those bottom frequencies. I had a pair of Event ASP8's before in here.
What do you guys think as far as T8 verses T10? Room is: L = 12' W = 9'2" H1 = 7' H2 = 8'11" |
T10
Guitarist and composer:
---------------------------------------------------- https://itunes.apple.com/it/artist/davi ... d968493291 My system: ---------------------------------------------------- MacBook Pro i7, 16 GB ram Presonus Sphere |
Word of advice. I originally set mine up to use the T10 crossover, and run the Sceptres out of the sub. Worked just fine. My HS50's got all lonely, so then I set the T10 up on its own, and managed the crossover via the speakers and the sub. Probably due to the slope used, it created a 6-10 db hole around 80hz, with both the sub and speakers set to 100hz. If you do it that way, you will want to look to manually adjust the sub crossover a bit higher to fill that in. I used a reference mike, the S1 tone generator, and a reference mic.
Otherwise, enjoy the low endyness. |
T10 no question regardless of monitors. I use it with the Eris 5's. T10 has better input options, the footswitch which you will use more than you think if you live with other people in the house, and moving bass frequencies with a 10" cone is what's for dinner.
Current rig (and if I can't produce decent music with this I need serious help):
14-core i9-7940X | MSI M7 ACK Mobo | 128GB Ballistix RAM | EVGA GTX 1080 | Four NVME SSDs for Libraries, OS | Studio One Pro 4 | EWHO & Choirs, EWSO & Choirs, SD3, EW Pianos, Spaces II | Berlin Strings/Brass/Inspire 1 & 2/Time Macro | NI KU11 | M-Audio CODE 61 | PreSonus Studio 192 Mobile pushing Eris E5s & T10 sub | PreSonus FaderPort 8 | AudioQuest Forest digital USB Cables | Two analog gems: AKG C414 XLS Mic, Taylor 618e v2 |
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