This piece has extensive subtlety in the strings techniques that called for things like triple divisi splits, counter-play of individual desks, sul G and sul D passages, sordinos, tremolos, trills, etc. The solution? Dependable VSL Synchronized Dimension Strings! There has been no equal (in my opinion) to the architecture of that library in the 10 years that I've been working in the realm of digital orchestration. I decided to stick with an all-VSL recording and used Synchronized Special Edition instruments for winds and horns.

Enjoy!