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easy... intelligent, ergonomic, rock solid, robust DAW that rarely crashes. Oh... and the color... I love glacial blue... it's my favorite color. :shock:

Presonus Eris E5 near-field monitors, Steinberg UR22 audio interface, Nektar Impact LX-61 keyboard controller, Dell XPS8700 i7, 8GB memory, 1TB hard drive, Windows 7 Pro w/SP1, Presonus Studio One Producer 2.6.3.
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by MisterE on Wed Jul 16, 2014 9:37 am
Jlien X wroteSimple and fast global time-stretching.


While I'm not really sure how well the competition handles time stretching and shrinking, I've been pleasantly shocked how forgiving S1 is when it comes to slowing things down and speeding them up. No artifacts whatsoever with big BPM changes. The program is also very intuitive at knowing what to do with files imported at different BPM.

The built-in mastering/CD burning is obviously big bang for the buck.

And just this week my buddy who's all ga ga over his UA plugs, many of which cost as much as the whole S1 program if not more had to admit that my golden-eared engineer got more out of S1's "welfare plugs" like compressors and EQs than my buddy ever did with all his "high-end" plugs. For example, using the Scuffham S-Gear effect ($99) and ProEQ (maybe $7 when figured as part of the S1 Professional package), at a total expenditure of $106 sounds basically like a million bucks with the right tweaks.

Home-rolled i2500 PC with Win7 64-bit OS, Samsung 840 Pro SSD OS drive, 1 TB WD Black Audio Drive, WD sample and backup drives and 16 GB RAM | Mackie Onyx Blackbird interface | 2 Presonus Eurekas | Presonus Monitor Station | Behringer Truth B3031A Studio Monitors | CAD M9 mic | Avantone CL40 stereo mic | Roland Jupiter 50 | PRS Custom 24 | 1964 Martin D18 | Taylor 612C

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