BTQ14
12-19-2006, 12:02 PM
I have a noisy room in which I do radio and TV voice overs. When I purchased the Eureka I was surprised to find when I hooked it up to my Mackie VLZ/PC based studio that it didn't clamp down on room noise. I thought all mic processors (like my Symetrix 528E) offered that feature. Still, I was very impressed with the Eureka's sound quality, so much so that I manually edited out all the room noise heard between VO takes.
Then I got to thinking...perhaps I could chain the 528E and the Eureka together. I could use the gate on the Symetrix with the processing of the Eureka, thus have the best of both worlds. I could bypass the 528E's EQ/Compressor stages and just use its noise gate, while keeping the superb processing of the Eureka.
Well...I did that, but now - while the room's noise has been effectively diminished - the audio quality now has a flatness and grit to it that wasn't there previously. Like I said, I bypassed the EQ/Compressor section on the 528E, so it shouldn't be affecting the final signal in any way other than room noise, but something is. I just don't know what.
Then I got to thinking...perhaps I could chain the 528E and the Eureka together. I could use the gate on the Symetrix with the processing of the Eureka, thus have the best of both worlds. I could bypass the 528E's EQ/Compressor stages and just use its noise gate, while keeping the superb processing of the Eureka.
Well...I did that, but now - while the room's noise has been effectively diminished - the audio quality now has a flatness and grit to it that wasn't there previously. Like I said, I bypassed the EQ/Compressor section on the 528E, so it shouldn't be affecting the final signal in any way other than room noise, but something is. I just don't know what.